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Peter Berger

Soloist of the Czech National Opera

Peter Berger studied voice at the conservatory in Košice, and subsequently frequented master classes with Peter Dvorský and Eva Blahová. While still a student, he became a soloist of the Košice State Theatre opera. In 2007 he won first prize in the competition of the Anglo-Czechoslovak Trust in London. His other awards include the Literary Fund Prize for his creation of the Prince in Dvořák’s Rusalka. His repertoire comprises the Donizetti opera roles of Nemorino (L’elisir d’amore) and Ernesto (Don Pasquale), Don Ottavio (Mozart’s Don Giovanni), Verdi’s Alfredo (La traviata), Macduff (Macbeth) and Ismael (Nabucco), Faust (Gounod’s Faust), Lensky (Tchaikovsky’s Eugene Onegin), the Prince (Rusalka), Vašek (Smetana’s The Bartered Bride), Michel (Martinů’s Juliette), and others. In October 2007 he made a successful debut at the Slovak National Theatre in Bratislava, as Pinkerton in Puccini’s Madama Butterfly. In 2008 he guest appeared at the National Theatre in Split, Croatia, in the roles of Faust and Nemorino; in 2009 appeared at the National Theatre in Prague, as the Prince (Rusalka); and on the same stage, he created Nemorino in a new production of L’elisir d’amore, in the 2010/2011 season. He works regularly with the Košice State Philharmonic and the Slovak Philharmonic, and is a guest artist of the State Opera in Bánská Bystrica. He is also active as an oratorio singer. He made his debut at the Prague State Opera on March 6, 2009, as the Prince in Rusalka, an occasion which marked the beginning of a string of further guest appearances (as Alfredo, Pinkerton and Rodolfo in La bohème). Since 2011/2012 season he has been soloist of the Prague State Opera.

October 2011
Photographs: Peter Berger

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The Prague State Opera - Theatre History in Pictures and Dates - Book cover
The Prague State Opera – Theatre History in Pictures and Dates
Tomáš Vrbka
The Prague State Opera in cooperation with the Slovart publishing house publishes a representative book tracking the history of this significant cultural institution since its opening in 1888 till the end of the 2002/2003 season. The publication called The Prague State Opera – Theatre History in Pictures and Dates is focusing solely on the opera featured at the scene, even though the theatre under various names also served to presentation of drama plays, operettas and ballet. The Prague State opera plans to publish the volumes concentrating on those genres in the next years.

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